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Posts Tagged ‘margot tenenbaum’

falzone_recoveryroom

Recovery Room (Self-Portrait as Margot Tenenbaum) painting is finished, also there was an article written up about my work on Dashburst!

Here is the link to the article, http://dashburst.com/pic/self-portraits-kurt-cobain-courtney-love/

I will be planning out my next character painting, it’s going to be on a smaller canvas, so I’m having trouble picking in my mind, so I’m going to look through my reference photos, not sure why I try to mentally figure things out when I can just go through all my files and make decisions.

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Here I have four new as I call them Portraits on Portraits, 3 of these will be in two different shows, I will have more information as it closer to the shows. Also you can find these on my website under “Drawings”, I consider them drawing with thread, thats basically what embroidery is. 🙂 Anyway enjoy, I’m currently working on finishing up the “Recovery Room” painting of myself as Margot Tenenbaum (again) today, just putting in the background details.

http://www.johannafalzone.com/

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So the first painting in my series of Female Protagonists in Film is complete, it is titled Green Line Bus where I am posed as Margot Tenenbaum from the Wes Anderson film, The Royal Tenenbaums. This painting was taken of course from the screenshot scene of Margot walking off the Green Line Bus in NYC meeting Richie, also this is my favorite scene in the entire film, so it makes sense as to why I chose it.

Anyway, I wanted to pay homage to the green line, so that is why the background is made up of green lines and I chose a particular stripe pattern for the lines that mimic Margot’s dresses she is seen wearing throughout the film. Items featured in the painting of my own are altered of which are the coat that’s actually suede with a fur collar and the barrette which is modeled after my white and gold heart-shaped Hole barrette. The shirt underneath the coat was taken from my striped tank top.

Alright that was a lot of explaining, but there’s more. As you can see I am staring the viewer straight in the eye, whereas in the film Margot is looking in the direction I call Stage Left, I changed this because I always want the viewer to be confronted, I want you to know that she is looking at you and be able to have a mental conversation with her or try to interpret what this painting means to you, if that makes sense. I mean I know what it means to me and the whole of the collection, but I believe each person out there will have a unique experience with each work and whatever that is, I am completely interested in knowing and allowing it to happen.

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